![]() ![]() Smith’s leading lady, Kiki Belsey, is obviously a reconstruction of the intellectual, liberal Margaret Schlegel. Both novels center on the thoughts of the main heroine. Smith constructed main characters that are easily recognizable as modern, American versions of Forster’s English characters. Through her use of similar characters, plot points and reactions to beauty, Smith revamps the classic novel originally written by Forster. Just as Forster addresses issues of class and feminism in his novel, Smith tackles issues such as race, opportunity and intellect. These clashes present the reader with significant insight into the issues of the time. ![]() Smith’s novel, like Forster’s classic, concentrates on the conflicts between two families from opposite ends of the ethical and political spectrum. ![]() While she takes a modern approach to Forster’s condition-of-England novel, she maintains the central characters and conflicts that pervade the classic novel. With this, Smith is nodding to the beauty of Forster’s novel by beautifully imitating it in a modern-day American version. Instead, it comes from Elaine Scarry’s essay, On Beauty and Being Just, which begins with the claim that “Beauty brings copies of itself into being” (Scarry 3). Surprisingly, Smith did not borrow her title from Forster’s novel. From the first line, the reader is able to start drawing parallels between the two novels. ![]() Even without reading the acknowledgments in Zadie Smith’s On Beauty, it is extremely apparent that she derives her inspiration from E. ![]()
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